Insulation Wing Post, 2019, Insulation foil, Cedar, Styrofoam, 80’’ x 12’’ x 16’’
       
     
  (c) SPRING/BREAK Art Show, Photo by Samuel Morgan Photography    OURS  organized with Dominic Nurre for Spring Break Art Fair 2018.
       
     
 Corininthian Skins, 2018, Tyvek, Marble, dimensions variable  16 cross section planes of columns for the 16 columns of the Supreme Court dug from the Quarries of Vermont.
       
     
  Slip, Shift, or Spill , 2017, Tyvek  This installation developed out of a residency at Shelburne Farms, Vermont. For Burlington City Art's exhibition on the theme of water and the land, I played with ideas of material displacement - a major consequence of watershed. From sheets of Tyvek hanging down in the center of the space, cut out forms of trees spilled onto the ground now appearing like liquid. Drawn from the over 100 year old trees placed like markers around Shelburne Farms, the cut out forms left different empty spaces that appeared like unreal portals and burst-through holes.  
       
     
  Slip, Shift, or Spill , 2017, Tyvek
       
     
  Slip, Shift, or Spill , 2017, Tyvek
       
     
  Crevice Bouquet , 2014, 300 Flowers, Installation at Inside Out Museum, Beijing  For  Crevice Bouquet, 3 00 flowers were placed in the spaces between slabs of stone around the grounds of a barren Neo-Brutalist museum which was located where family farm plots used to be. 
       
     
  Crevice Bouquet , 2014, 300 Flowers, Installation at Inside Out Museum, Beijing
       
     
  Crevice Bouquet , 2014, 300 Flowers, Installation at Inside Out Museum, Beijing
       
     
  Long Time No Ocean , 2011, Interfacing Fabric, 42'' x 90'' x 4''
       
     
  IF , 2013, Interfacing Fabric, 77'' x 38'' x 3''
       
     
  Call Lift , 2012, Wood, Foam, Cement, 8' x 40'' x 10''
       
     
  Wrapped Ship & Wrapped Shelf , 2013, Plaster, Pulp, Ship Model, Disassembled Book Shelf, 45'' x 37'' x 9'' 
       
     
  Wrapped Ships , 2013, Plaster, Pulp, Ship Model, Cinderblock, 34'' x 11'' x 14'' 
       
     
  Wrapped Ship , 2012, Plaster, Pulp, Ship Models, Cinderblocks, 32'' x 18'' x 8''
       
     
  Tell Me  (video stills), 2014, video, 6:05m 
       
     
  Field Notes , 2015, Tyvek, Installation views in Groton State Forest  A series of idioms cut out of banners wrap around trees throughout the woods of Groton State Forest as part of Burlington City Art's program, Of Land and Local.  In this work, language is juxtaposed with the natural world. The phrases themselves, disengaged from the words' roots, bring to mind everything except nature.  Each word –  mountains, stick, water, mud  – instead refers to impalpable elements of the human condition – joys, achievements or conflicts. 
       
     
  Field Notes , 2015, Tyvek, Installation views in Groton State Forest
       
     
  Field Notes , 2015, Tyvek, Installation views in Groton State Forest
       
     
  Field Notes , 2015, Tyvek, Installation views in Groton State Forest
       
     
 Sitting Head, 2011, Paper Pulp, Foam, Cement, Pins, Stool, 12'' x 28'' x 16''
       
     
  Roof Branch , 2011, Branch, Toy Model Roof, 9' x 24'' x 12''
       
     
  My Falluja (Leaning) , 2006, Paper, Plaster, Wire, Newspaper, 4'' x 6'' x 3''
       
     
 Insulation Wing Post, 2019, Insulation foil, Cedar, Styrofoam, 80’’ x 12’’ x 16’’
       
     

Insulation Wing Post, 2019, Insulation foil, Cedar, Styrofoam, 80’’ x 12’’ x 16’’

  (c) SPRING/BREAK Art Show, Photo by Samuel Morgan Photography    OURS  organized with Dominic Nurre for Spring Break Art Fair 2018.
       
     

(c) SPRING/BREAK Art Show, Photo by Samuel Morgan Photography

OURS organized with Dominic Nurre for Spring Break Art Fair 2018.

 Corininthian Skins, 2018, Tyvek, Marble, dimensions variable  16 cross section planes of columns for the 16 columns of the Supreme Court dug from the Quarries of Vermont.
       
     

Corininthian Skins, 2018, Tyvek, Marble, dimensions variable

16 cross section planes of columns for the 16 columns of the Supreme Court dug from the Quarries of Vermont.

  Slip, Shift, or Spill , 2017, Tyvek  This installation developed out of a residency at Shelburne Farms, Vermont. For Burlington City Art's exhibition on the theme of water and the land, I played with ideas of material displacement - a major consequence of watershed. From sheets of Tyvek hanging down in the center of the space, cut out forms of trees spilled onto the ground now appearing like liquid. Drawn from the over 100 year old trees placed like markers around Shelburne Farms, the cut out forms left different empty spaces that appeared like unreal portals and burst-through holes.  
       
     

Slip, Shift, or Spill, 2017, Tyvek

This installation developed out of a residency at Shelburne Farms, Vermont. For Burlington City Art's exhibition on the theme of water and the land, I played with ideas of material displacement - a major consequence of watershed. From sheets of Tyvek hanging down in the center of the space, cut out forms of trees spilled onto the ground now appearing like liquid. Drawn from the over 100 year old trees placed like markers around Shelburne Farms, the cut out forms left different empty spaces that appeared like unreal portals and burst-through holes.
 

  Slip, Shift, or Spill , 2017, Tyvek
       
     

Slip, Shift, or Spill, 2017, Tyvek

  Slip, Shift, or Spill , 2017, Tyvek
       
     

Slip, Shift, or Spill, 2017, Tyvek

  Crevice Bouquet , 2014, 300 Flowers, Installation at Inside Out Museum, Beijing  For  Crevice Bouquet, 3 00 flowers were placed in the spaces between slabs of stone around the grounds of a barren Neo-Brutalist museum which was located where family farm plots used to be. 
       
     

Crevice Bouquet, 2014, 300 Flowers, Installation at Inside Out Museum, Beijing

For Crevice Bouquet, 300 flowers were placed in the spaces between slabs of stone around the grounds of a barren Neo-Brutalist museum which was located where family farm plots used to be. 

  Crevice Bouquet , 2014, 300 Flowers, Installation at Inside Out Museum, Beijing
       
     

Crevice Bouquet, 2014, 300 Flowers, Installation at Inside Out Museum, Beijing

  Crevice Bouquet , 2014, 300 Flowers, Installation at Inside Out Museum, Beijing
       
     

Crevice Bouquet, 2014, 300 Flowers, Installation at Inside Out Museum, Beijing

  Long Time No Ocean , 2011, Interfacing Fabric, 42'' x 90'' x 4''
       
     

Long Time No Ocean, 2011, Interfacing Fabric, 42'' x 90'' x 4''

  IF , 2013, Interfacing Fabric, 77'' x 38'' x 3''
       
     

IF, 2013, Interfacing Fabric, 77'' x 38'' x 3''

  Call Lift , 2012, Wood, Foam, Cement, 8' x 40'' x 10''
       
     

Call Lift, 2012, Wood, Foam, Cement, 8' x 40'' x 10''

  Wrapped Ship & Wrapped Shelf , 2013, Plaster, Pulp, Ship Model, Disassembled Book Shelf, 45'' x 37'' x 9'' 
       
     

Wrapped Ship & Wrapped Shelf, 2013, Plaster, Pulp, Ship Model, Disassembled Book Shelf, 45'' x 37'' x 9'' 

  Wrapped Ships , 2013, Plaster, Pulp, Ship Model, Cinderblock, 34'' x 11'' x 14'' 
       
     

Wrapped Ships, 2013, Plaster, Pulp, Ship Model, Cinderblock, 34'' x 11'' x 14'' 

  Wrapped Ship , 2012, Plaster, Pulp, Ship Models, Cinderblocks, 32'' x 18'' x 8''
       
     

Wrapped Ship, 2012, Plaster, Pulp, Ship Models, Cinderblocks, 32'' x 18'' x 8''

  Tell Me  (video stills), 2014, video, 6:05m 
       
     

Tell Me (video stills), 2014, video, 6:05m 

  Field Notes , 2015, Tyvek, Installation views in Groton State Forest  A series of idioms cut out of banners wrap around trees throughout the woods of Groton State Forest as part of Burlington City Art's program, Of Land and Local.  In this work, language is juxtaposed with the natural world. The phrases themselves, disengaged from the words' roots, bring to mind everything except nature.  Each word –  mountains, stick, water, mud  – instead refers to impalpable elements of the human condition – joys, achievements or conflicts. 
       
     

Field Notes, 2015, Tyvek, Installation views in Groton State Forest

A series of idioms cut out of banners wrap around trees throughout the woods of Groton State Forest as part of Burlington City Art's program, Of Land and Local.  In this work, language is juxtaposed with the natural world. The phrases themselves, disengaged from the words' roots, bring to mind everything except nature.  Each word – mountains, stick, water, mud – instead refers to impalpable elements of the human condition – joys, achievements or conflicts. 

  Field Notes , 2015, Tyvek, Installation views in Groton State Forest
       
     

Field Notes, 2015, Tyvek, Installation views in Groton State Forest

  Field Notes , 2015, Tyvek, Installation views in Groton State Forest
       
     

Field Notes, 2015, Tyvek, Installation views in Groton State Forest

  Field Notes , 2015, Tyvek, Installation views in Groton State Forest
       
     

Field Notes, 2015, Tyvek, Installation views in Groton State Forest

 Sitting Head, 2011, Paper Pulp, Foam, Cement, Pins, Stool, 12'' x 28'' x 16''
       
     

Sitting Head, 2011, Paper Pulp, Foam, Cement, Pins, Stool, 12'' x 28'' x 16''

  Roof Branch , 2011, Branch, Toy Model Roof, 9' x 24'' x 12''
       
     

Roof Branch, 2011, Branch, Toy Model Roof, 9' x 24'' x 12''

  My Falluja (Leaning) , 2006, Paper, Plaster, Wire, Newspaper, 4'' x 6'' x 3''
       
     

My Falluja (Leaning), 2006, Paper, Plaster, Wire, Newspaper, 4'' x 6'' x 3''